Perception Related to Recycling Clothing and Analysis of the Actual Conditions for the Unused Clothing 의복 재활용에 대한 인식 및 사장의복 실태 분석
박영희 Younghee Park
DOI:10.12940/jfb.2020.24.5.1
Abstract
This study analyzed the perceptions related to recycling clothing and the actual conditions of unused clothing based on demographic characteristics to help reduce environmental pollution. A total of 833 questionnaires were used in data analysis for this survey study. The subjects consisted of men and women in their 20s to 50s who resided in Gyeongnam and Ulsan, Korea. The data were analyzed by χ2-test using SPSS. The results obtained were as follows. The intention to recycle others’ clothing was significantly different for all the demographic characteristics. Overall, the response “I have an intention to recycle others’ clothing” was reported by a relatively high proportion of the respondents. The analysis of the motivation to others’ clothing showed a significant difference in all demographic characteristics except gender. The main motivation for recycling clothing was because “I wanted to recycle the clothing”. The factors hindering recycling others’ clothing showed significant differences according to gender, marital status, and occupation. The main hindrance factor was reported as “feeling uncomfortable”. The causes of occurrence of unused T-shirts significantly different for all demographic characteristics. The causes of occurrence of unused trousers and skirts was significantly different for all demographic characteristics except monthly income. The cause of undisposed, unused clothing was related to all demographic characteristics Overall, the response “reluctant to dispose of” was reported by a relatively high proportion of the respondents.
A Study on the Development of Korean Fashion Design Using the Forced-Relationship Techniques 강제결합법을 활용한 한국적 패션디자인 개발 연구
김한나 Hanna Kim , 서승희 Seunghee Suh
DOI:10.12940/jfb.2020.24.5.21
Abstract
The purpose of this study was to develop a new Korean fashion design using forced-relationship techniques and the traditional hanbok Korean dress and Korean traditional images as the source of the ideas. The research methods consisted of literature research and design production. In the literature research for the hanbok composition and design elements, the concept and type of forced-relationship techniques were studied. The design development process was as follows. First, ‘Developing a Korean fashion design’ was set as the design theme. Second, the composition and design elements of hanbok and Korean motifs, which consist of Korean images were set as fixed elements of the forced-relationship technique. Third, among the various trends in keywords, ‘punk’ belonging to a subculture, was set as an arbitrary element of the forced-relationship technique. Fourth, the punk fashion design elements and items were listed. Fifth, a rough sketch was performed by selectively combining fixed and arbitrary elements. Sixth, a design evaluation process was conducted to select the designs out of 52 design sketches that fit the purpose of the study. Seventh, a total of six designs were selected after making design modifications. Through this, a total of six works of women's clothing was designed, made, and presented. This study offers the possibility of developing new Korean fashion design images, and a chance to share designs based on different cultural elements in the global market.
Key Words
forced-relationship technique, hanbok, Korean fashion design, punk fashion 강제결합법, 한복, 한국적 패션디자인, 펑크 패션
A Study on the Expression of Fashion Jewelry Using the Characteristics of Paper Mulberry Fiber 닥섬유 특성을 이용한 패션 주얼리 표현 연구
A Study on the Expression of Fashion Jewelry Using the Characteristics of Paper Mulberry Fiber 닥섬유 특성을 이용한 패션 주얼리 표현 연구
이지현 Jihyun Lee , 전양배 Yangbae Jeon , 간호섭 Hosup Kan
DOI:10.12940/jfb.2020.24.5.35
Abstract
To satisfy consumers' desire to enjoy their own individuality and cultural trends, the discovery of various materials and the expression of materials embodying their characteristics are increasingly important in the fashion jewelry industry. This study examines, paper mulberry fiber, a raw material of hanji that has been excavated as a new material for fashion jewelry, is durable as wall as, soft and easy to form, has a unique texture along with, excellent aesthetic quality, and expresses various colors, thereby differentiating itself from traditional fashion jewelry materials. The material itself also has symbolic significance as an approach to discovering new sustainable materials for fashion jewelry to ensure increased specificity of the product based on the premise of freedom of expression. The weight and optimal drying time of chicken fiber were derived for the study of fashion jewelry expression using the characteristics of paper mulberry fiber. The techniques of casting, deflection, packing and winding (winding beads with fibers and straps) were derived and four brooches were produced in total. This study is meaningful for the future of, the fashion jewelry industry as it presents the uses of new materials such as paper mulberry fiber to induce multidisciplinary consumption and to suggest a direction for the creation of new value-added products. Further, in order to expand the realm of fashion jewelry industry with our own competitive products that have secured our cultural identity and uniqueness in the global market, there must be continued follow-up research on mass production methods for industrialization.
Key Words
Hanji, Paper Mulberry Fiber, fashion jewelry, texture, molding method 한지, 닥섬유, 패션 주얼리, 재질감, 성형방법
A Study on Characteristics of Pink Color and Fashion Images Used in Gender Neutral Men's Fashion 젠더 뉴트럴 남성 패션에 사용된 핑크색의 특성과 패션이미지 분석
A Study on Characteristics of Pink Color and Fashion Images Used in Gender Neutral Men's Fashion 젠더 뉴트럴 남성 패션에 사용된 핑크색의 특성과 패션이미지 분석
홍윤정 Yunjung Hong , 주미영 Mi Young Joo
DOI:10.12940/jfb.2020.24.5.52
Abstract
This study examines the color characteristics of the usage of the color pink in menswear by analyzing its usage status and method. It involves an empirical research method establishing the frame of the study through a document study centered on trend, gender neutral considerations, and the utilization of the color pink in men’s fashion, by analyzing the characteristics of color and tone by extracting the pink color shown in menswear collections as well as analyzing and categorizing the fashion image and genderless characteristics. Analyzing the color and tone of the pink color shown indicate that bright, light and pale tones had higher proportions. Pink color can also be said to be utilized as a design element that gives off a younger and more vital color image in menswear. Further, the use of brighter and softer pink colors can be interpreted as reflecting modern society’s demands of masculinity to change into a more sophisticated and soft image. To analyze the characteristics of the color pink utilized in gender neutral fashion, fashion images were presented as the analysis standard. An image grouping technique was used to classify pink while utilizing genderless types-fashion style. The result showed that even with the same pink color, the fashion image can vary with different methods of expression in terms of clothes and styling. The results of this study can serve as basic data for planning fashion design concepts as it analyzed pink-using fashion images and the genderless concept type.
Key Words
Gender neutral, men`s fashion, menswear collection, pink color 젠더 뉴트럴, 남성복, 남성 컬렉션, 핑크색
A Study on the Textile Design Approach of Biomimicry for Ecologically Sustainable Design 생태학적으로 지속가능한 디자인을 위한 생체모방의 텍스타일 디자인 접근법에 관한 연구
A Study on the Textile Design Approach of Biomimicry for Ecologically Sustainable Design 생태학적으로 지속가능한 디자인을 위한 생체모방의 텍스타일 디자인 접근법에 관한 연구
한왕모 Wangmo Han
DOI:10.12940/jfb.2020.24.5.72
Abstract
Various methodologies have been proposed in discussions of sustainability to meet the needs and sustenance of both civilization and the ecosystem. Among them, the modern concept of biomimicry is emerging as a way to meet both the concepts of sustainable 'development' and 'society', due to its philosophical position encompassing the human-centered world view and the non-human-centered view of ecocentrism. Therefore, in the field of design in which it is necessary to take responsibility for environmental and social problems, this could be a good way to solve these issues. Biomimicry design can generally be divided into three stages: form, function, and ecosystem. From the point of view of ecological sustainability, ecosystem imitation is the most advanced and appropriate design approach that can solve the problems or even prevent them. Accordingly, this study derived a biomimicry design approach in the ecosystem imitation stage based on the concepts of biomimicry, ecological sustainability, and ecological aesthetics. The detailed approaches are 'imitation of the natural providence', 'imitation of the ecosystem's creation process', and 'imitation of the ecological cycle'. This study investigated and presented cases, such as the design imitating the ecological mechanism of microorganisms and the work using mark-making based on the derived design approach, because it could be too conceptual and idealistic by itself. Through this, we explored a method of applying and visualizing the concept of biomimicry in textile design at the ecosystem imitation level and showed its feasibility, although it still has difficulties in practical use.
Aesthetic Characteristics of Red Carpet Dresses at the China Film Festival 중국 영화제에 나타난 레드 카펫 드레스의 미적 특성
이유가 Weijia Li , 김장현 Janghyeon Kim , 김영삼 Youngsam Kim
DOI:10.12940/jfb.2020.24.5.89
Abstract
This study considers aesthetic characteristics by examining red carpet dress in China film festival. The research methods were quantitative and qualitative analysis of red carpet dress images collected from 2015 to 2019 on websites according to four criteria following previous research on red carpet dresses. The results of the study are as follows. First, the analysis of red carpet dress silhouettes showed that A-line silhouettes, slim silhouettes, and mermaid silhouettes appeared. Second, in terms of colors, one color, black, represented a higher proportion of the dress colors than the combination of different colors. Third, soft texture occupied the highest proportion of material textures, and combinations of materials with different textures were also used. In the case of patterns, the proportion of dresses without patterns was high, and natural patterns were found in the largest proportion. Beads and sequins accounted for most of the dress details, and the analysis showed that various detail types such as embroidery, slits, ruffles, and belts were used in the red carpet dresses. The aesthetic characteristics of the red carpet dresses worn at the China film festival were analyzed as sensual, elegant, decorative, and simple.
Key Words
China film festival, red carpet dress, aesthetic characteristics 중국영화제, 레드카펫 드레스, 미적 특성
A Study on Reproductions of North American Smocking Design Using a 3D Virtual Clothing System 3차원 가상착의 시스템을 이용한 북아메리칸 스모킹 디자인 재현 연구
A Study on Reproductions of North American Smocking Design Using a 3D Virtual Clothing System 3차원 가상착의 시스템을 이용한 북아메리칸 스모킹 디자인 재현 연구
김민경 Minkyoung Kim
DOI:10.12940/jfb.2020.24.5.106
Abstract
The purpose of this study was to analyze the three-dimensional (3D) characteristics and reproducibility of the effective expression of North American smocking pleats in the process of making clothes using a 3D virtual clothing system (CLO) and present a method of expression according to the types of North American smocking. In this study, lattice, lozenge, and flower smocking were produced as real smocking and 3D virtual content, and actual muslin properties were measured using a Fabric Kit and reflected using an emulator. The results of this study confirmed that a dense puckered design such as North American smocking could be expressed depending upon the internal line, fold angle, and reinforcement setting for 3D smocking. To partially apply pleats to flat fabrics, it was necessary to set fold lines. The fold line setting could be expressed by designing the internal line in horizontal, vertical, and diagonal directions according to the North American smocking design, and then setting the fold angle for each internal line. By setting fold angles of 0 degrees and 360 degrees according to the folding direction of the set internal line, the fabric was clearly folded and stable pleats were created. This study will contribute to the vitalization of the 3D virtual fashion content industry by analyzing and presenting the optimal expression method of sophisticated and complex pleats generated according to the North American smocking design pattern.
Key Words
smocking, 3D virtual clothing, fold angle, pleats 스모킹, 3차원 가상착의, 접힘 각도, 주름
Sustainable Fashion Design Prototype Development in Terms of Clothing Composition -Focused on Pattern Classes- 의복구성학적 측면에서의 지속가능한 패션 디자인 프로토 개발 -패턴 수업을 중심으로-
Sustainable Fashion Design Prototype Development in Terms of Clothing Composition -Focused on Pattern Classes- 의복구성학적 측면에서의 지속가능한 패션 디자인 프로토 개발 -패턴 수업을 중심으로-
박유신 Youshin Park , 김지혜 Jihye Kim
DOI:10.12940/jfb.2020.24.5.125
Abstract
The fashion industry that perceived the severity of environmental pollution, has sought various methods of sustainable fashion. However, most of the businesses paid attention to the development of materials using industrial waste, or vegan material. Thus, this study aims to present the methods for improvement in creativity for inversely developing the design from patterns and present new approaches by applying the contrarian development of proto to class under the limited condition of material concerning general design, selection of material, and production of sample. In the case of three student teams enrolled in the first semester of the second year, the fabric and used clothing donated by industry were used as material. The whole cut for cutting a single fabric in connected state, and Zero Wastes Design within a rectangular frame of fabric, upcycling of used clothes, and cutting out of Geometric Form are suggested. The team(A) produced a zero-wastes coat and whole-cut Pancho that could be variously represented. The team(B) produced two kinds of asymmetric dress by utilizing used check-patterned shirts through upcycling. The team(C) utilized the fabric in geometric forms such as rectangle, trapezoid, and atypical figure by drawing design within donated fabrics. The items were a dress, blouse, and skirt. Consequently, an opportunity for both academia and industry to present more concrete methods for sustainable fashion and deeply perceive the sustainable fashion is presented along with novel methods for creation by carrying out the composition of pattern and design at the same time.
Key Words
sustainable fashion, upcycle, whole cut, geometric form, zero wastes design 지속가능 패션, 업사이클, 홀컷, 기하학적 형태, 제로 웨이스트 디자인
Development of Smartphone Control Jacket Using Textile Touch Sensor 텍스타일 터치센서를 활용한 스마트폰 제어 기능 재킷 개발
박진희 Jinhee Park , 김지선 Ji-seon Kim , 김주용 Jooyong Kim
Development of Smartphone Control Jacket Using Textile Touch Sensor 텍스타일 터치센서를 활용한 스마트폰 제어 기능 재킷 개발
박진희 Jinhee Park , 김지선 Ji-seon Kim , 김주용 Jooyong Kim
DOI:10.12940/jfb.2020.24.5.140
Abstract
The purpose of this study is to develop three functions for smartphones and PCs using a textile touch sensor in an everyday sports jacket and to present their usefulness; to this end, we have developed a mutual capacitive textile touch sensor and corresponding structure, and we have implemented three functions into a textile touch sensor jacket, of which we also conducted a usability evaluation. The jacket has a sensor on the wrist of the left sleeve and a device on the left arm. The sensor system can be divided into three main categories: a sensor acting as a switch, a circuit connecting the sensor and the device, and the device that acts as power control and system on/off. The functions are implemented in the texture touch sensor jacket in three modes: cell phone mode, music mode, and PPT presentation mode. We conducted an evaluation of each function in each mode, which indicated that all functions performed well without errors and that the switch had excellent operation for the number and intensity of touch. In terms of usability in a humid environment, the performance of touch functions was found to be equally implemented. In the temperature environment, neither high nor low temperatures caused issues with the functions. A wearing satisfaction assessment evaluated psychological satisfaction, clothing convenience, device convenience, device usability, and device effectiveness. This research jacket is thought to be desirable for the relatively bendable, flexible, and intimate sensor used on the clothing, and the circuit made of conductive fabric tape.
Key Words
textile touch sensor, jacket, smartphone, control function 텍스타일 터치 센서, 재킷, 스마트폰, 제어 기능
Cultural Diversity of Kushan Empire Through Die Analysis of the Depicted Costumes of Artifacts of Tillya Tepe 틸랴 테페 유물의 복식분석을 통해본 쿠샨왕조 문화의 다양성
Cultural Diversity of Kushan Empire Through Die Analysis of the Depicted Costumes of Artifacts of Tillya Tepe 틸랴 테페 유물의 복식분석을 통해본 쿠샨왕조 문화의 다양성
장영수 Youngsoo Chang
DOI:10.12940/jfb.2020.24.5.158
Abstract
The purpose of this study was to examine the cultural diversity in terms of costumes by analyzing the costumes depicted in the early Kushan Dynasty relics, Tillya Tepe. As a research method, literature research and artifact analysis were conducted in parallel. The type of costume worn by the king (or priest) was in the type of a jacket and skirt, which was thought to be of Persian influence. The Greek god of Dionysos was wearing a costume with Danryong (團領) and narrow sleeves, a nomadic type of Central Asia. It could be seen that costumes were transformed into indigenous elements of the region. The shape of the helmet worn by the warrior was a Greek-Macedonian helmet. However, details were transformed into indigenous elements of the Kushan dynasty. The clothing of a nobleman riding a carriage was an element of dress that was observed in Chinese po(袍), and was an unusual element not found in nomadic peoples. There were goddesses wearing Greek robes like Aphrodite in Tillya Tepe's relics. On the other hand, there were goddesses who did not wear Greek chitons like the Greek goddess Athena. Instead, they wore high-waisted robes worn by the Orient goddesses. In addition, after Kushan occupied India, there were Indian elements believed to be expressed by accepting Indian culture. These elements were combined with regional orient elements of the Kushan dynasty, Central Asian elements, and Kushan's own elements. Thus cultural diversity emerged in the costumes depicted in Tillya Tepe artifacts.
Key Words
Kushan dynasty, Tillya Tepe, Bactria, Silk Road, cultural diversity 쿠샨왕조, 틸랴 테페, 박트리아, 실크로드, 문화적 다양성
