A Study on 3D Virtual Clothing Fashion Design Applying Frank Stella PaintingYeonji Lee , Sohee Um 27(6) 1-17, 2023 DOI:10.12940/jfb.2023.27.6.1
TitleA Study on 3D Virtual Clothing Fashion Design Applying Frank Stella Painting
Yeonji Lee , Sohee Um DOI:10.12940/jfb.2023.27.6.1 AbstractThis study aimed to develop a modern textile design based on the formability of Frank Stella's paintings and to develop and present a fashion design that combines modern sensibility as a 3D virtual clothing program. The formative characteristics of Frank Stella's work were 'unity due to regular stripes', 'asymmetry due to geometric surface division', and 'decorabilitydue to colorful use'. Based on this, costume patterns and textiles based on Frank Stella's paintings were developed and six 3D virtual fashion design works were produced. The conclusion was as follows. First, it was confirmed that Frank Stella's work has a very wide range of applications to fashion products as abstract expression and minimal simplicity coexist visually. Second, various colors and forms of Frank Stella's paintings could be developed using textiles with visual formability, and originality as a fashion work applied with paintings could be maximized. Third, the development of 3D fashion using virtual programs had the ease of time efficiency, cost reduction, and spatiotemporal expansion of work processing compared to the actual costume production process. In addition, the simulation of 3D virtual wear made it easy to modify and recover the position of the textile to be applied to the costume and create a new design in the process of transforming the position of various textiles. It is expected that this study results will be used as basic data for the future conversion content industry in the painting and fashion industries. Key WordsFrank Stella, 3D virtual fashion, virtual clothing, fashion design, fashion and art |
Analyzing the Uniform Colors of Professional Team Sports in South KoreaYeo Ri Bae 27(6) 18-36, 2023 DOI:10.12940/jfb.2023.27.6.18
TitleAnalyzing the Uniform Colors of Professional Team Sports in South Korea
Yeo Ri Bae DOI:10.12940/jfb.2023.27.6.18 AbstractAlthough an extensive body of research exists on sports uniform colors in the West, there is a dearth of research on South Korean sports uniforms, especially in the domain of professional team sports. This study aims to identify and analyze the colors of sports uniforms of 56 professional teams listed on the Korea Professional Sports Association (KPSA) for a range of team sports (e.g. football, baseball, basketball, volleyball, and golf). The number of colors of each team’s uniform and the ordinal ranking of these colors were recorded and analyzed. Furthermore, the number of colors and parent company colors were grouped by gender and league. Overall, 80.4 % of the teams preferred three to four colors with white, black, blue, and red being the most popular colors. Every team's primary, secondary, or graphic logo colors on their uniforms included white. The gender variable was partially significant, emphasizing culturally significant colors such as pink. The parent company’s color showed a significant connection with the team’s uniform colors. This result was related to the historical origins of South Korean professional team sports and their unique relationship with chaebols. Based on the findings, this study concludes that visibility and contrast factors, as well as historical aspects relating to the concept of glocalization play an important role in the color choices of S outh K orean t eam uniforms. Key Wordsteam sports, uniform, color |
A Study on Workwear Prototype Development: Based on the Functional, Expressive, Aesthetic (FEA) ModelHuh Ga Young 27(6) 37-46, 2023 DOI:10.12940/jfb.2023.27.6.37
TitleA Study on Workwear Prototype Development: Based on the Functional, Expressive, Aesthetic (FEA) Model
Huh Ga Young DOI:10.12940/jfb.2023.27.6.37 AbstractThis study aims to develop workwear prototypes by applying a systematic approach considering the characteristics of workwear. A case study was conducted before this study to derive workwear's four characteristics: 'Ergonomic Pattern-Making, Certified Fabric, Specialized Color, and Customized Details.' a prior study proposed the integrated framework combining these characteristics with the FEA model. The new framework identified that these characteristics are considered in terms of functionality, expression, and aesthetics; it can increase workers' satisfaction and meet the market demand without concentrating on only particular aspects. Before prototype production, the requirements for each characteristic of workwear were analyzed through theoretical research of previously published related papers. The study primarily gathered workwear requirements data and sources from consumer satisfaction surveys and investigations into the wearing conditions of work clothes. When considering all aspects of pattern-making, fabric, color, and detail in functionality, 'comfort movement, body protection, improved work efficiency' were identified as necessary. Expressive requirements were fundamental, including 'reflecting the wearer's preferences, expressing a sense of belonging and identity. It was clear that incorporating design elements and applying current trends to the aesthetic requirements of work clothes was necessary. Four prototypes comprised two top and bottom sets and two overalls using these requirements. The framework was used throughout the entire process of planning, producing, and evaluating prototypes, and through this, the results fulfilled the requirements. This study is significant because it produced workwear prototypes using an integrated approach that considered functional, expressive, and aesthetic aspects. Key Wordsworkwear, functional, prototype, design process, FEA model, pattern-making |
Future-oriented Characteristics Examined through the Identity and Modernity of Sonia Delaunay's WorkKeumhee Lee 27(6) 47-65, 2023 DOI:10.12940/jfb.2023.27.6.47
TitleFuture-oriented Characteristics Examined through the Identity and Modernity of Sonia Delaunay's Work
Keumhee Lee DOI:10.12940/jfb.2023.27.6.47 AbstractThe purpose of this study is to derive the future-oriented characteristics Sonia Delaunay presented at the time based on the identity and modernity shown in her works and diverse activity. The scope of study spans from 1907 to the start of World War II and includes both applied and fine arts, with a focus on textiles and fashion. The research method is a literary study that includes old documents, exhibition booklets, and explanations from museum curators. The visual materials are actual works observed at exhibitions and digital images of various exhibitions. As a result of the research, she was a practitioner who expressed her identity in marriage, artwork, textiles, and fashion. In order to embody her design and express modernity, she showed geometric and modern motifs and she incorporated a sense of bright color and modernized light into her work by following the principle of simultaneous contrast in color. Additionally, she applied Hungarian embroidery techniques to simple materials and created geometric abstraction with her simultaneous colors, which contributed to both originality and the mass production of textile design. The future-oriented characteristics she presented are the dynamism of modern rhythm, the expansion of convergence and collaboration, the innovation of new production and exhibition, the media of consumer society, and the femininity of modern life. She recognized the mass consumer society and mass production of the early 20th century and actively utilized various media and genres to evoke a dynamic sense necessary for modern life and presented a design to be seen as a modern woman. Key WordsSonia Delaunay, identity, modernity, future-oriented, modern woman, early 20th century fashion |
A Study on the Characteristics of the Manufacturing Method of Handbags by BrandYoushin Park 27(6) 66-84, 2023 DOI:10.12940/jfb.2023.27.6.66
TitleA Study on the Characteristics of the Manufacturing Method of Handbags by Brand
Youshin Park DOI:10.12940/jfb.2023.27.6.66 AbstractHandbags are a part of fashion and while their significance and value are increasing, research on this topic is lacking. This study defines handbags and categorizes the materials used for making handbags, sewing methods, expression techniques, and terminologies related to accessories. A total of 1,743 handbags that were released from the Spring 2020 to Fall 2023, Ready-to-Wear collections by 8 selected brands (Hermes, Dior, Fendi, Chanel, Louis Vuitton, Prada, Gucci, and Alexander McQueen), were analyzed. Out of these, 732 unique designs, excluding those with only color variations, were studied. The most common sewing methods were 'Cut, sewing, and edge painting', 'Cylinder arm sewing', 'Cut, edge painting, and sewing', and 'Inverted seam', in that order. Slim strap designs primarily used the 'Cut, sewing, and edge painting' method, whereas the body, especially with narrow and hard leather, was best suited for the 'Cylinder arm sewing machine'. For expression techniques, the most frequently used methods were 'Quilting', 'Metal Eyelet', 'Embossing', 'Printing', 'Punching', and 'Weaving', respectively. The characteristics of each brand's production methods, expression techniques, and accessories were as follows: First, the exposure of logos and monograms is prominent. Unlike clothing, handbags often prominently feature the brand's logo or monogram. Second, signature quilting is a prominent feature. Quilting effectively conveys the brand's signature style, providing cushioning, volume, and pattern effects. Third, sustainable development is a growing trend. Brands are increasingly applying eco-friendly and socially responsible designs. Key WordsHandbag, Sewing Method, Expression Techniques, Subsidiary Material |
Metaverse Fashion Design Characteristic Comparison Analysis -Focused on Asian Platforms that are Popular in the Republic of Korea-Heeseon Kim 27(6) 85-98, 2023 DOI:10.12940/jfb.2023.27.6.85
TitleMetaverse Fashion Design Characteristic Comparison Analysis -Focused on Asian Platforms that are Popular in the Republic of Korea-
Heeseon Kim DOI:10.12940/jfb.2023.27.6.85 AbstractPeople nowadays must adapt to and live with a new software idea known as the "Metaverse" due to an inevitable shift in lifestyle brought on by pandemic effects. However, since the Covid-19 became an endemic, the enthusiasm towards the metaverse platform decreased significantly. But the potential of the metaverse remains a significant area of interest. Experiencing developments in technology can serve as a substantial lesson for the future. Notable metaverse platforms in the Republic of Korea so far include domestic companies such as ZEPETO, IFLAND, ZEP, and the Singaporean company BONDEE. Various metaverse platforms are being launched, and various studies are proceeding. However, there is still value in research specifically analyzed in the field of fashion. In this study, by comparing and analyzing the fashion design on the metaverse platforms ZEPETO, IFLAND, ZEP, and BONDEE, which are well-known in the Republic of Korea, metaverse fashion can be categorized into three ty pes: 'Daily Type,' ' Costume Type,' and 'Unrealistic Type.' Analyzing these types revealed three characteristics of metaverse fashion design: realizable, playfulness, and expressiveness. This study holds significance in gaining foresight and a consistent interest in metaverse fashion by comparing and analyzing the fashion designs of well-known metaverse platforms in Korea. Key Wordsmetaverse, platform, fashion, persona, avatar |
A Case Study of Contemporary Textile Art in Loewe Craft PrizeHyojeong Park , Jinyoung Kim 27(6) 99-109, 2023 DOI:10.12940/jfb.2023.27.6.99
TitleA Case Study of Contemporary Textile Art in Loewe Craft Prize
Hyojeong Park , Jinyoung Kim DOI:10.12940/jfb.2023.27.6.99 AbstractLoewe Craft Prize is currently the most influential craft contest. During the contest, contemporary craftworks, as art with excellent aesthetic value, are selected as finalists but there are no enough studies on them as subjects. This study aimed to investigate contemporary textile pieces found in the fashion brand Loewe's Craft Prize, a Loewe Foundation Craft Prize and elucidate their expressive characteristics. The methodology of the study was a qualitative study that derives the expressive characteristics of the works within the scope of the study through case analysis along with theoretical reviews. The selection of research subjects was based on 22 works of textile pieces among the works selected as finalists for the last six years since the first year of the prize in 2016. The analysis of textile pieces showed first, the emphasis on traditional expression, second, the development of new expressive techniques for the material, and third, the pictorial character revealed in flat pieces. The expressive characteristics of contemporary textile art shown in the Loewe Foundation Craft Prize, derived based on such results were, first, the confirmation of the unique capabilities of craft through the inheritance of tradition, second, the rediscovery of textile properties through material experimentation, and third, the possibility of expanding the field of textile due to the pictorial character. Key WordsLoewe Craft Prize, textile, Continuation of Tradition, Experiments with Materials, Pictorial Character |
Gift-giving Behaviors via SNS Mobile App: An Exploratory Study of Fashion ProductsJi Yoon Kim , Jiyeon Lee , Kyu-hye Lee 27(6) 110-123, 2023 DOI:10.12940/jfb.2023.27.6.110
TitleGift-giving Behaviors via SNS Mobile App: An Exploratory Study of Fashion Products
Ji Yoon Kim , Jiyeon Lee , Kyu-hye Lee DOI:10.12940/jfb.2023.27.6.110 AbstractAs social distancing strengthened after the COVID-19 incident, people looked for things they could do alone. Additionally, as people have more financial resources, they purchase products they had previously considered purchasing, and the phenomenon of giving gifts to oneself has also appeared. Accordingly, this study analyzed fashion product reviews of KakaoTalk Gift, the service to exchange gift via SNS mobile app, to discover the phenomenon of self-gifting and the differences from interpersonal-gifting. For post-hoc data, in collected 18,354 pieces after excluding unnecessary data using a Python-based web crawling technique. The self-gifting behavior of KakaoTalk Gift different from the previous study for self-gift. Regardless of the gift-giving contexts, it determines that most self-gift products are material items. There are differences in product types and price levels when choosing gifts for others and oneself. As a self-gift, people typically buy luxury jewelry and branded bags/wallets to wear and show off. As interpersonal, among fashion products, people usually buy beauty products that reflect less personal tastes. When gift-giving to others, people buy products to appropriate prices to reduce the burden on both. When gift-giving to oneself, people buy wanted products regardless of the price. This study is significant because it suggests a new direction in self-gift research by limited online places to give gifts. Key Wordsself-gifting, interpersonal-gift, KakaoTalk Gift, mobile gift-giving, fashion products |
A Study on the Development of a Women's Fashion Design Prototype Applying the Characteristics of Neo-Deconstructivist FashionZhongyue Lyu , Young Jae Lee 27(6) 124-146, 2023 DOI:10.12940/jfb.2023.27.6.124
TitleA Study on the Development of a Women's Fashion Design Prototype Applying the Characteristics of Neo-Deconstructivist Fashion
Zhongyue Lyu , Young Jae Lee DOI:10.12940/jfb.2023.27.6.124 AbstractThis study analyzes the characteristics of each element of neo-deconstructivist fashion design and examines fashion expression methods and techniques. This study combines theoretical research and case analysis to analyze the aesthetic characteristics of neo-deconstructivist fashion and the expressive characteristics of neo-deconstructivist fashion. Through analysis of previous research, the aesthetic characteristics of neo-deconstructivism were derived as inclusiveness, playfulness, communication, and intertextuality. Inclusivity in fashion refers to including various people, body types, aesthetics, and cultural backgrounds in the scope of design, and does not limit the scope of clothing design based on individual differences such as body type or gender. Playfulness is a neo-deconstructive fashion brand that combines exaggerated makeup, vibrant colors, intriguing designs, and imaginative fashion shows to spread upbeat and playful ideas. Communication in neo-deconstructivist fashion demonstrates communication through the use of creative themes and items that reflect consumers' needs through design and the consumer's fashion presentation method. Through the mutual quotation of aspects like traits, status, T.P.O., and materials that can reveal opposing texts, intertextuality emerged as a tendency to break up binary oppositions or break away from genres. The expressive qualities of neo-deconstructivist fashion design were examined and applied to the creation of innovative fashion design through examination of the case's silhouette, color, and material. Six sets of women's clothing were designed and produced. The results of this study can be used as basic data for the development of neo-deconstructivist fashion design, and are expected to provide a wide range of inspiration for fashion design ideas. Key Wordsneo-deconstruction, inclusivity, playfulness, communication, intertextuality |
A Creative Apparel Up-cycling Design Development Using Creative Thinking MethodologyMinji Kim 27(6) 147-159, 2023 DOI:10.12940/jfb.2023.27.6.147
TitleA Creative Apparel Up-cycling Design Development Using Creative Thinking Methodology
Minji Kim DOI:10.12940/jfb.2023.27.6.147 AbstractFashion is the second most polluting industry. We must strive to transition to a form of industry that does not cause environmental pollution. These efforts drive may fashion brands to produce and sell products with redesigned methods that delight the inventory flow. Accordingly, it is necessary to develop creative apparel up-cycling design using the creative thinking method. This study aims to produce clothing redesign works by introducing design idea types for systematic redesign creation. In this research, we conducted a literature review on the concept of up-cycling design and employed heterotopa spacial concept reflected fashion design creation methodology types. The RE;CODE, a leading domestic up-cycling design brand, was used in case analysis. According to the command of shape transformation, it is spreading, stacking, dropping, inverting and crossing, from the creative thinking method reflecting heterotopia spacial concepts, showing designers a concrete way to transform form into new apparel. Seven works of apparel up-cycling design were developed by conducting process of RE;CODE. Also, to establish an apparel up-cycling design creation process for creating works. In this study, we proposed a systematic method for apparel up-cycling design, including a method for reorganizing two or more different materials to create something new and ultimately reversing the structure. The value and significance of this study is that it proposes a systematic method for apparel up-cycling design to make it new. Key Wordsapparel up-cycling design, up-cycling design, RE, CODE, creative thinking methodology, heterotopia spacial concept |
